Maggie Cheung for Qeelin

Qeelin is a Hong Kong based jewelery company set up by designer Dennis Chan and French financier Guillaume Brochard in order to create jewelry "with China’s cultural aesthetics but with French craftsmanship" which is an interesting bit of economic/cultural turnabout--the inspiration and ingenuity for creating designs comes from China with the French entrusted only with the manufacturing and production. There is a nice puff piece on Chan in butterboom.

Maggie Cheung has been the face of Qeelin since its inception; both sides seem pleased with the relationship.

Here are some Qeelin billboards in Hong Kong featuring her last year from Qeelin's facebook pages:

An ad from the same source. Unfortunately they subscribe to the "photoshop to unrecognizability" school of celebrity ads which is becoming ubiquitous:

From the 2009 Golden Horse Awards Red Carpet, the first picture showing that Maggie knows what is important--the Qeelin watch:

Not sure if that belt--megabelts as part of an outfit were kind of on the way out by Fall of 2009--goes that well with the dress but since it is Maggie, it looks great.

And one with the boss, Guillaume Brochard:

And one more from 2009 at a Qeelin event:

Bollywood Hindi Movie Raavan Preview and Synopsis

Language: Hindi

Release Year: 2010

Cast: Abhishek Bachchan, Aishwarya Rai Bachchan, Govinda, Ravi Kishan, Priyamani, Vikram

Producer: Mani Ratnam

Director: Mani Ratnam

Music Director: A R Rahman

Banner: Big Pictures, Madras Talkies

Background Music: A. R. Rahman

Sound: TAPAS

Lyrics: Gulzar

Cinematography: Santhosh Sivan

Editing: Sreekar Prasad

Dialogue: Vijay Krishna Acharya

Story/Writer: Mani Ratnam

Action Direction: Sham Kaushal

Costume: Sabyasachi

Movie Synopsis

RAAVAN is not a story, it is a world.
Beera Munda – Undisputed, Unlawful, Untamed
Dev Pratap Sharma – The Punisher, The Law, The Righteous
Ragini – Conscience, Beauty, Music

Dev falls in love with Ragini, a spunky classical dancer who is as unconventional as him. They get married and he takes up his new post in Lal Maati, a small town in northern India,

A town where the word of law is not the police but Beera, a tribal who has, over the years, shifted the power equation of the place from the ruling to the have-nots of the area. Dev knows that the key to bringing order to any place is to vanquish the big fish; in this case – Beera. In one stroke Dev manages to rip open Beera’s word, and set in motion a chain of events which will claim lives, change fortunes.

Beera injured but engaged hits back starting a battle that draws Dev, Beera and Ragini into the jungle. The jungle which is dense, confusing, scary. And in this journey they must confront their own truth. A journey which will test their beliefs, convictions and emotions. Emotions which are as scary and confusing as the forest. The forest becomes the battleground. The battle between good and evil, between Dev and Beera, Between Ram and Raavan. But when the lines dividing good and evil are blurring fast whose side will you take. When hate turns to love and the good starts looking evil which side will you battle for? Love is a battle that nobody wins but everyone must fight. Even this Raavan.

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Gong Li cuts a ribbon.

Gong Li was in Shanghai the other day to open the Louis Vuitton flagship store on Huai Hai Road according to Sina.com, pointed to, as always, by Dennis Lee's indispensible blog. A few pictures from the event:

Here she is flanked by Yves Carcelle the CEO of LV and an unidentified guy who also gets a pair of scissors. Note to the young models behind them: When you are hired to act as the backdrop for an international movie star and a powerful and wealthy luxury goods executive who are doing something essentially silly but still deemed important enough to spend lots of time and money, don't blow it by looking hostile or grumpy. Accepted looks include: bored, slightly pained or stoned. Unacceptable looks include all of the ones shown in this picture.

The same scene a bit earlier before the scissors have come out. Yves Carcelle, even as CEO, is a merchant to his core. Here he could be pitching a time share in Hawaii to Gong Li. The models in back look, if anything, even more outrageously inappropriate. Save the contemptuous looks for the photographers while on the runway--looking like that at someone who could bury your career with a word is not the road to success.

Finally made it inside where Gong Li's forced smile shows that she might not be enjoying every moment of talking with this grinning idiot, a fat guy who thinks that a two button suit makes him look svelte. She is probably a few minutes away from having the dangerous looking security type in all black break the guy's nose.

Our chubby friend may be important since Carcelle's face is brick red as he tries to figure out just who said what to who and if anyone is about to be embarrassed or offended. The polyglot nature of gatherings like these must be a challenge--with a bit of English spoken as well as Mandarin and French and perhaps a few other languages.

One assumes that Gong Li is accessorized in LV and the black, high necked, sleeveless, keyhole cut outfit is lovely . There is one thing the seems really odd though--instead of a strapless bra (or none at all) for this outfit she seems to wearing some type of undergarment with jeweled straps that are shown clearly here. Not a bad look just an unusual (and possibly uncomfortable) one.

Zhou Xun is a Champion of the Earth.

That isn't a new Marvel Comics superhero but an award given by the United Nations Environmental Programme (UNEP). She got the "Inspiration and Action" award and immedeately donated the cash prize to earthquake relief in western China. You can read about it here or just take a look at the pictures, all of which are from UNEP.

The presentation of the the fierce looking award by Yaun Xikun, the artist who created it. The black lightbulb floating above the lion is on the backdrop and not part of the award although it might have worked--"Lights out for lions" or something like that.

A UNEP official gives her a scroll fittingly enough made from recycled glass. This may have been toward the end of the show--six awards were presented--since it seems as if her hair is getting a little unruly. Actually a nice look for Zhou Xun.

An informal moment with some of her fellow awardees. "So a polar bear, a black rhino and an ivory-billed woodpecker walk into a bar..."

Postmodern or just cheap?

In a recent review of Mimi, Private Eye YTSL wrote "But as Hong Kong movies have shown time and time again, a lower budget work is not necessarily a lower quality nor less enjoyable effort." In his book Planet Hong Kong David Bordwell quotes Ringo Lam's philosophy of filmmaking: "No money, no time, just do it."

Time is a luxury in the movie business that can only be purchased--if a director doesn't have a big budget he must be able to set up, shoot and move on to the next shot quickly. He needs to get things right the first (or second) time. Everyone involved in the production must have the same sense of urgency; professionalism must be the rule. The gag reels of actors blowing their lines that run under the closing credits of many Jackie Chan films are funny (at least at first) but clearly that isn't the norm on most Hong Kong sets.

Among the advantages that Hong Kong didn't seem to have that its counterparts in Hollywood, Paris and London enjoyed was a co-operative municipal administration which would close streets and deploy police officers for crowd control when shooting on location. This led to an occasional unintentional postmodernist look in backgrounds of chases and shoot-outs in many crime and police dramas. Since they weren't able to control a location many directors simply dropped their scene into the middle of it although one assumes they had some clearance or premission to do so. As in many postmodernist narrative works the audience could see the artifice of the invention, the nuts and bolts of the process.

A great example of this (I will post some screen shots when I dig out the DVD) is from Fulltime Killer by Johhny To and Wa Ka-Fai. In one scene Andy Lau is running down a busy street, chasing his target and firing a handgun. In the background one doesn't see extras but citizens who happened to be on that street at that particular time, looking surprised that a movie has broken out in the middle of their lunchtime stroll. Fun stuff.

Contrast this with the opening scene of "La nuit américaine" (Day for Night), my favorite movie about movies, in which Francois Truffaut, playing a French film director, directs every movement of the actors, extras, animals and vehicles that will appear in the shot. I don't know if Truffaut actually worked this way when shooting but one thinks it is not that unusual a way of doing things.

Back for a moment to "Webs of Significance", YTSL responded to the clamor of her fans and will begin doing movie reviews again. Since she see a lot of movies this is good news indeed.

Britney Spears